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• The Presence of Biopower in Keiko Furukura from Sayaka Murata’s “Convenience Store Woman”

  Sherwin Magsayo, Ann Marie Alga, Mary Sharmaine Sasil, Lito Diones

  2024-10-24

• Transnationality, Mobile Identity, and Cultural Dislocation in Rabih Alameddine’s I, the Divine (2002)

  Azeddine Lahmidi

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• Writing of Piracy in English Sea Literary Classics

  Tingwei Zhang

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• Culture and Intra-gender Women Subjugation as reflected in Amma Darko’s Beyond the Horizon and Emecheta’s Second-Class Citizen

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  2024-10-17

• The Kite Runner: A Psychological Analysis of Amir

  Mona Fe Aruta, Robby Ryan Gepitulan, Nekka Marie Oftana, Diones, Lito L.

  2022-11-20

• A Comparative Study of Tayeb Salih’s Season of Migration to the North and Hanif Kureishi’s My Son the Fanatic: The Crisis of Identity in Postcolonial Literary Works

  Lina Taysir Alzouabi

  2022-04-30

• Longing for a Home and the Role of Women in Louis L’Amour’s Narratives

  Guy Redmer

  2024-10-04

• Gender Roles and Class Relations: Neurasthenic Representations in Edith Whartons’ The Age of Innocence and The House of Mirth

  Nabeel M Yaseen

  2025-05-19

• Arab Diasporic Women Between Challenges and Opportunities in Al-Shaykh’s The Occasional Virgins

  Ashraf Waleed Mansour

  2022-01-29

• Abjection and Exclusion in Doris Lessing’s The Fifth Child

  Lanxiang Wu

  2024-09-03

• Interconnectedness: A Study of Forrest Gander’s Be With through the Lens of Ecocriticism

  Li-jia Yu

  2025-04-19

• Exploration of Social and Cultural Values in Indonesian West Java Folklore

  Anggun Stefani, Ayunilah Fatayah, Muhammad Fitram, Dede Endang Mascita, Atikah Fauzi

  2024-08-03

• An Analysis of Differences between Greek Tragedy and Classical Chinese Tragedy (Yuanqu)

  Aijun Tang

  2023-05-31

• Willing Suspension of Disbelief in August Wilson’s ‘‘The Piano Lesson’’

  Shanjida Halim, Hasan Mohammed Saleh Jaashan, Tanzina Halim

  2024-11-09