The Presence of Biopower in Keiko Furukura from Sayaka Murata’s “Convenience Store Woman”

Abstract

The collected written and oral works of a society portraying values and beliefs as well as their challenges are referred to as literature. In terms of age and volume, Japanese literature is comparable to Western literature. Sayaka Murata, a prominent Japanese author, critiques conventions, exemplified by her 2016 novella "Convenience Store Woman," shaping the identity of a 21st-century woman. Keiko, Murata’s heroine, works in a convenience store and lives through the question of absolute autonomy. This study investigates the presence of Biopower in Keiko Furukura from Sayaka Murata’s “Convenience Store Woman.” Specifically, it looks into character, settings, and themes. This study uses a qualitative method, specifically Discourse Analysis. The theories that support this study are Michel Foucault’s Theory of Biopower and Sociological Literary Criticism by Kenneth Burke. The results of this study reveal that Anatomopolitics and Biopolitics are the forms of Biopower present in the character. In the settings, both Anatamopolitics and Biopolitics are also exhibited. Similarly, Anatomopolitics and Biopolitics are the forms of Biopower found in the themes. Based on the findings, this study concludes that Biopower is present in Keiko Furukura from Sayaka Murata’s “Convenience Store Woman.”  From the study’s conclusion, the following are recommended: The Death of Individualism: A Character Analysis of William Stoner from John William’s “Stoner,” Construction of Identity: A Sociological Critique of Natsuko Imamura’s “The Woman in the Purple Skirt,” Challenging Gender Norms: An Examination of Gender Norms in Jane Austen’s “Pride and Prejudice,” Challenging the Contemporary Feminism of Kojima in “Heaven” by Meiko Kawakami.