Research Article

Can Female Speak? Anna Laetitia Barbauld, a Legacy for Women Poets

Authors

  • Fariba Farhangi Ph.D. Student in Literature of Nations and Philosophy, Khazar University, Baku Branch, Azerbaijan

Abstract

In Romanticism the poet was considered as a prophet, an unknown illustrative speaking for the whole of humanity; however, woman poets were marginalized. The existent study accompaniments implication as the consequences can shade sunnier on why women poets as vigorous and operative supporters of Romanticism period futile to overcome their defensible place among the main poets of the time in spitefulness of their positive community planetary. Females wanted to be documented and acknowledged as human beings in general and poets indefinite. By providing a thorough investigation of Anna Laetitia Barbauld, this study has explored how she possesses her faultless feminine image while she trails a profession outside of the domestic domain. Anna Laetitia Barbauld transfers the absorbing visionary image of a new woman and competes with the male-oriented concept that women could not and should not engage in poetry writing.

Article information

Journal

International Journal of Linguistics, Literature and Translation

Volume (Issue)

4 (11)

Pages

11-17

Published

2021-11-29

How to Cite

Farhangi, F. (2021). Can Female Speak? Anna Laetitia Barbauld, a Legacy for Women Poets. International Journal of Linguistics, Literature and Translation, 4(11), 11–17. https://doi.org/10.32996/ijllt.2021.4.11.2

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Keywords:

Romanticism, women status, women poets, silence