Reconstructing the Past in 1920s Cinematic Representations

Abstract

This study situates itself within the field of Cultural Studies, exploring the interplay of nostalgia and authenticity in cinematic representations of the 1920s, with a specific focus on Damien Chazelle's films Babylon (2022) and La La Land (2016). Drawing on Gilles Deleuze's concept of difference and Suzana Tosca's exploration of originality, this research investigates how Chazelle integrates inspiration from classic films, iconic figures, and historical events to create original works that evoke nostalgia without mere replication. This study analyzes how these inspirations are transformed into cinematic representations that blend historical accuracy with creative variation. While Chazelle's films authentically echo past styles, they simultaneously construct cultural narratives that resonate with contemporary audiences. The study employs a gender lens and a comparative approach that juxtaposes and contrasts Babylon with Baz Luhrmann's adaptation of The Great Gatsby (2013). It concludes that both films offer viewers a composite experience of nostalgia and innovation. This dual perspective enriches both historical and cinematic discourses, thereby deepening our understanding of the complexities of human nature and societal evolution.