What is Behind the Bodice (Choli Ki Pichhe)? Narratives of Simulacra, Rape, Forced Whoredom: A Critical Analysis of Mahasweta Devi’s Behind the Bodice

Abstract

Media is not a charitable organization rather a profitable institution. Media often fails to publish important national issues and success to publish the non-issues for escalating the mercantile gains. Interestingly, media often adopts simulation, simulacra, hyper-reality to printed or digitalized news applying their unethical de-realization or yellow journalism. I, therefore, theoretically and thematically will show in my paper how this paid journalism and unethical media using a false representation of Gangor’s breast doomed her life. This ‘Simulacrum’ gives birth of narratives of violence, gang rape, and forced prostitution in Mahasweta Devi’s story Behind the Bodice. Jean Baudrillard defines ‘Simulacra’ as something that replaces reality with its false representation. According to him, it refers the false reality of the image and misrepresentation of true reality actually. In the story Behind the Bodice, Gangor’s breast feeding of her child is a natural phenomenon. But this true reality, ‘save the breast’ (simulacra) is represented with erotic code which sells abroad by Upin Puri at huge prices. This ace-photographer exhibited the nakedness of India to the West for his journalistic prosperity. His false representations of Gangor’s breasts germinate the tales of violence, eviction, male gaze, narratives of forced prostitution and finally, a tragic doom. I will highlight in my paper how this subject is appreciated by then. On the other hand, ‘Behind the Bodice’ introduces the narrative of simulacra, rape and forced whoredom by the power, politics and apparatus of the repressive state.